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Features:

• Type: 2-way active studio monitor
• output power : 100W (sin), 150W (rms)watts
• Max. SPL (1W / 1 m): 100 dB
• Frequency range: 48Hz - 35kHz (-10 dB)
• Components: 7“ woofer, A.R.T. tweeter
• Dimensions: 210mm x 330mm x 280mm
• Weight: 17,5 kg

One Listen And You´ll Be Hooked!
Europe´s "Keyboards" magazine held a studio monitor "shootout" between no less than 25 professional monitor systems, and ADAM´s P11-A active system came out the overall winner. ADAM monitors are set to make big waves in this country, and we´re sure that once you hear them, you´ll be just as impressed as the judges at Keyboards. The P11-A is an excellent example of ADAM´s no-compromise approach to Studio Monitor design. These are units for audio pros who demand the best possible sound reproduction.

Adam Audio P11-A
The P11A is a two-way shielded active monitor that produces unique imaging and outstanding transient response at an attractive price point. It was primarily designed for small to mid-sized project studios; however, it can also be used comfortably in any application where a small powered monitor is called for, from broadcast/post applications to surround monitoring.

Adam Audio Technology
Groundbreaking innovation in electro/acoustic transducers, dedicated design works and superior materials are the cornerstones of ADAM Technology. Utilizing the same A.R.T. (Accelerated Ribbon Technology) folded ribbon tweeter found in all ADAM monitors, the P11A delivers unique imaging and outstanding transient response at an affordable price.

Accelerated Ribbon Technology
The A.R.T. (=Accelerated Ribbon Technology) tweeters and midrange units take a completely new approach in kinematics to move air and improve the quality of music reproduction. Based on the original works of Dr. Oskar Heil, who invented his "Air Motion Transformer" back in 1972, new electroacoustic transducers have been developed that are based on improved layouts and new materials. The membrane consists of a lamella like folded diaphragm whose single folds move according to the alternate current, thus squeezing air in and out. All other loudspeaker drive units, whether they are voice coil driven, electrostatics, piezos or magnetostatics, act like a piston, moving air in a 1:1 ratio. This is undesirable, as the specific weight of air is much lower than that of the driving mechanics. Speaking in terms of electrical Engineering one could say there is a bad match between source and load. The A.R.T. principle achieves a 4:1 velocity transformation between driving diaphragm and driven air, i. e. the air moves in and out four times faster than the folds itself are moving. This superior "motor" is responsible for the enormous clarity and transient reproduction that is to be heard from the A.R.T. drive units.